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I'm not sure if the Dean Martin Celebrity Roasts are on DVD, but if not I hope these episodes will be in my lifetime.

NEW YORK TIMES, ‘Young Frankenstein’ a Monster Riot', By Vincent Canby, December 16, 1974--YOUNG FRANKENSTEIN, directed by Mel Brooks; screenplay by Gene Wilder and Mr. Brooks; produced by Michael Gruskoff; director of photography, Gerald Hirschfeld; music, John Morris; editor, John Howard; distributed by 20th Century‐Fox. Running time: 104 minutes. At the Sutton Theater, 57th Street east of Third Avenue. This film has been rated PG. CAST: Dr. Frankenstein-Gene Wilder; Monster-Peter Boyle; Igor-Marty Feldman; Elizabeth-Madeline Kahn; Frau Blucher-Cloris Leachman; Inga-Terl Garr; Inspector Kemp-Kenneth Mars; Herr Falkenstein-Richard Haydn; Blindman-Gene Hackman---He's young. He's clean‐cut. He's all‐American. You are certain he uses the correct deodorants and after‐shave lotions. He has a fiancée who's so fussy about her make‐up that when they say good‐by, they don't kiss, they gently rub elbows. The young man is a brain surgeon named Dr. Frankenstein, but When a medical student calls him that, he has a fit. “No, no,” he screams, “it's pronounced Fron‐ken‐shteen!” He doesn't want to be confused with his infamous grandfather. As played by Gene Wilder in Mel Brooks's funniest, most cohesive comedy to date, this Dr. Frankenstein is a marvelous, addled mixture of young Tom Edison, Winnie the‐Pooh and your average Playboy reader with a keen appreciation of beautiful bottoms. At this point in time, it isn't easy to make fun of Mary Shelley's durable old chestnut about the visionary doctor and the monster to whom he gave life. All of the jokes would seem to have been told. Hammer Productions' “Frankenstein” movies employ deadpan humor. “Andy Warhol's Frankenstein,” released this year, was an all‐out assault that used wild anachronisms and grotesque special effects. It would be misleading to describe “Young Frankenstein,” written by Mr. Wilder and. Mr. Brooks, as astoundingly, witty, but it's a great deal of low fun of the sort that Mr. Brooks specializes in. Although it hasn't as many roof‐raising boffs as “Blazing Saddles,” it is funnier over the long run because it is more disciplined. The anarchy is controlled. Mr. Brooks sticks to the subject, recalling the cliches of horror films of the nineteen‐thirties as lovingly as someone remembering the small sins of youth. Perhaps the nicest thing about “Young Frankenstein” is that one can laugh with it and never feel as if the target film, James Whale's 1931 classic that starred Boris Karloff, is being rudely used. The new movie, which has Young Frankenstein returning to the family castle and bringing to life a monster played by Peter Boyle, is a horror film compared almost entirely of hilarious interruptions, including the doctor's near‐fatal encounter with one of those mysterious bookcases that hides a secret door. It keeps turning around and hitting him in the back. The doctor is helped in his endeavors by his loyal hunchback servant, Igor pronounced Eye‐gor), played by a nervily funny newcomer to films named Marty Feldman; by a pretty blond laboratory assistant (Teri Garr) who recalls (intentionally) every blond starlet who never quite made the big time and, of course, by Mr. Boyle in monster‐drag. Madeline Kahn, one of the best things in “Blazing Saddles,” is in top form as the doctor's bossy fiancée who eventually finds sexual fulfillment in the arms of the monster, and Gene Hackman turns up in a pricelessly funny bit as the blind man who befriends the monster and after offering him a cigar carefully lights the monster's thumb. The high point of the film is a sequence in which the young doctor takes his monster to a medical convention in Bucharest and demonstrates his accomplishment by joining the monster for several choruses of “Puttin' On the Ritz,” both dressed nattily in white tie and tails. “Young Frankenstein,” which opened yesterday at the Sutton, was photographed in black and white with fastidious attention to the kind of slightly fake details you'll find only in a studio‐made movie over which tremendous care has been taken. It has an affectionate look to it, especially in the laboratory equipment that is said to be a reproduction of the stuff used in the Whale film. Some of the gags don't work, but fewer than in any previous Brooks film that I've seen, and when the jokes are meant to be bad, they are riotously poor. What more can one ask of Mel Brooks?

it's hard to believe there are a few generations who do not know about the greatness that is Lonesome Dove.

Ringo's tacky comment, at 18:05, that he would commit domestic battery if Barbara dared call him by his stage name makes for a palpable moment of cringe in the interview - especially knowing this roughly dates to a very dark period for him when, in a handful of alcohol-induced rages, he seriously beat on Barbara. Thank God he later achieved sobriety and now purportedly enjoys a happy and content personal life free of that demon booze.

This might be the most unguarded, raw, and borderline forlorn I've seen Ringo in an interview setting. Usually, in interviews, he plays the role of the upbeat and cheery Scouse clown who is ever grateful to be in the company of the "cool kids." Here, he instead betrays both a sense of grounded inner weariness and a serious confidence in his (oft-cruelly maligned) worth as a musician. He is correct in saying that he is a "great rock n' roll drummer." His was truly an inimitable and understated talent, as essential to the Beatles' success as the other three's indelible contributions, lyrical and musical. I am glad he, at last, is beginning to receive the accolades and praise he so rightly deserves as the driving force of the Fab Four.

~🦾💫👑💡⚡💡👑💫🦾

These people look so comfortable in each other's company

Vorrei poterlo vedere tutto in italiano

"The violent world of mountain men." Ancestors of today's bushcrafters and preppers.

👍🍇😅

Coolio just changed my perception of who and what he is and that's just the tip of the iceberg. Coolio has so much integrity and is brilliant. Thank you brother.

Un Dos mejores que asistí en 70 años

Back when people from all persuasions - be it religious or political - could laugh together and yet keep it so clean yet loaded with outrageous innuendo.

There is no 'self' in environmentalism. George Carlin should have known that

Jews think that they are the chosen people and when others outshine them, they get pissed off....right Gene and Paul?

the world is still sad to this day because its not hearing the hilarious rants and insults from Mr warmth himself. We miss you Don. RIP

I have become obsessed with Columbo, on tv. Watching the marathons. I have become a fan of Peter Falk. I only found out today that he had transcendend from his earthly life about 13 years ago as I write today in late June 2024. What a talented man he is. I have a lot more of his performances to look forward to thanks to RUclips. God bless you, Peter! 😊😘

I know people like that in real life.

My favorite movie.❤

is there a full movie anywhere on here?

I recall reading someone who stated in a very quick shortcut shot of his badge in one episode, I don't recall which one, that it was written Frank. I guess one could watch every episode on DVD and freeze frame every time Columbo showed his badge.

I wonder at the part where Don Rickles gets all serious and talks of Clint Eastwoods career being a shambles and going from alter to alter? Does he mean Clints career or personal life?

Just finished watching "Final Descent".... I did not know that Robert Ulrich had passed 😢😢😢 RIP Mr. Ulrich, you are very much missed. What an intense movie it was!!!

I saw her in more than one interview and what strikes me allways about her is how intelligent and smart she is/was. So down to earth and not falling for compliments. She ears them but is not blinded by them. She had the values at the right place and was quite profound. ❤

You could listen to the timbre of both their voices all day long.

This is the KISS kids era period. I was five or six in 79, and by this time KISS was an epic joke. Like cartoonish-level. I liked them back then. As for Peter and Ace having jokes…There’s a reason why Paul and Gene were stone face. By this time Peter and Ace were heavy into drugs and booze…Heavy, and I’m sure they were lit on this interview. Paul, and esp. Gene, weren’t into that. I’m sure Gene was worried that they were going blow it on air, under the influence, hence stone face

Freakin hilarious

The best was Foster Brooks roasting Rickles. Absolutely hilarious.

Roger Waters seen that show nicked' 7:31 that idea or Ace borrowed it from ◻◻The Wall 1979 what do you think?◻◼

Nobody swears or talks like a pig. That's why the roast today are unwatchable. The women act like pigs just as same as the men

Com certeza absoluta tempo do ouro na televisão..... So gênios e lendas.....!!!!!!!

We love ya Woodrow. Plain and simple

Todas as lendas estão indo embora 😢 So resta uns atores medíocre......

I Love Red Buttons

Classic’s

Shirley Temple Black

Shirley Temple Black

Redd Foxx

Read Foxx

Sephora

MGM Grand

My favorite series ever, mostly due to RD's performance, the whole cast was exceptional but his is the character that lingers in my mind, I quote it like the bible, so many simple words of wisdom. Thank you so much. I'll post this as an example. ruclips.net/video/kHdikNbVaHs/видео.htmlsi=C3neyTc_4qdUzBZh

I have sat and watched this miniseries at least 11 times. And I don't think I've ever seen a better written character than Augustus McCrae.

The goood old day's Back when people weren't so damm sensitive red fox is a legend don rickles was the funniest comedian back in the dat

FOUR coffins , my mistake😊

Mr Eastwood, no one will take his place. ❤

Gene is furious

Ace is a crackup❗️

He may have been wild but he seemed like he wouldve been cool to talk to. Really intelligent guy

angie was a freak in the bedroom